Thomas Peattie provides a richly interdisciplinary account of Gustav Mahler\'s music, considering the theatrical dimension of his symphonies and situating these works in the context of the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle.
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Thomas Peattie provides a richly interdisciplinary account of Gustav Mahler\'s music, considering the theatrical dimension of his symphonies and situating these works in the context of the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle.
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